Twenty years ago I met a man. Back then, he was not more than a boy, kind, gentle, generous....
THE SHOW MUST GO ON. …and don’t get me wrong – this is a good thing after all. To...
YES, I’M FINE. 我很好。 It’s been a long time… and today I’m back to my oldie-but-goodie MacBook to share...
![](https://scontent-hel2-1.cdninstagram.com/v/t51.2885-15/sh0.08/e35/c1.0.1438.1438a/s640x640/93480507_2720822191348521_23116686846621337_n.jpg?_nc_ht=scontent-hel2-1.cdninstagram.com&_nc_cat=109&_nc_ohc=BR83W0iUAosAX_YaPwo&oh=2ff4f06f30122981575b92fcc4a01cca&oe=5EFAEB72 "Shenzhen Boogie Woogie or is it just me or this can be somehow compared to Mondrian’s Boogie Woogie? If it’s a stretch, fine!
Liang Quan refers to his mixed media collages, which incorporate rice paper and ink, as \\"abstract diagrams of traditional Chinese landscape\\". Following a period of study in San Francisco, Liang became interested in the work of #RichardDiebenkorn with whom he shares an affinity, both of them working with geometric forms, spatial relationships and passages of \\"empty space\\". Also inspired by Zen Buddhism and meditation, this \\"emptiness\\" in Liang’s work is realised with intricate, subtle details, \\"driving simplicity with complexity\\". Unfortunately in his bio, he doesn\'t mention Mondrian lol. #LiangQuan")
